Manchester film reviews
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Reviewed by Ian Betts July 2012 There is a terrorist on a plane. While he and his devoted followers murder its passengers, he shows no signs of remorse, nor fear of reprisal. Explosions dismember the hull and as the metal carcass of corpses falls to the ground, the terrorist escapes promising to wreak only greater havoc. His name is Bane. |
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Manchester film reviews
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Reviewed by Ian Betts July 2012 It is deeply enjoyable when typecast actors take on roles that corrupt their clichéd screen personas. Robin Williams did it in 2002 for One Hour Photo by portraying an obsessive photo-lab technician who constructs a delusional reality for himself using other people’s images. Having set himself up as a feel-good wizard of the sickening and schmaltzy after winning the Oscar for Good Will Hunting, Williams moved on from emotive dross like Patch Adams and Bicentennial Man by refashioning himself as a disturbing, compulsive fanatic, combining his ability to evoke our yearning for kindness and compassion with darker, more sinister urges. |
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Manchester film reviews
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Reviewed by Anne Ryan May 2012 At a time when the American dream seems further away than ever for the majority of its citizens, Wes Anderson harks back to an America that never was, a world of small town eccentrics whose lives are characterised by an almost Capraesque decency and sweetness. |
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Manchester film reviews
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Reviewed by Anne Ryan March 2012 Following the National Theatre’s production of A Comedy of Errors we have another of the classics of British theatre presented on the big screen - Sophie Thompson acts up a storm in She Stoops to Conquer. Oliver Goldsmith’s 18th century masterpiece is a warm and witty comedy, and here we have a blissfully funny production by an ensemble of skilled comic actors. |
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Manchester film reviews
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Reviewed by Anne Ryan March 2012 The films of Belgian brothers Jean-Pierre and Luc Dardenne portray lonely vulnerable characters fighting to survive. Filmed in an almost documentary style, they portray the reality of the lives of the poor. In Rosetta, the winner of the 1999 Palme d'Or, the child of an alcoholic lives in a trailer park and survives from pay day to pay day. L'Enfant tackled the story of a man who sells his newborn child to black marketeers. In their most recent film, Lorna's Silence they turned to a portrayal of Liege's criminal underworld. The Kid With a Bike returns to the industrial wastland of Seraing in Belgium and the world of the underclass. |
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Manchester film reviews
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The 18th Viva film festival has now finally made it, at least according to the BBC’s The Culture Show (Friday, 3rd March) - recognition, too long in coming. This is a major artistic event which Manchester, and the Cornerhouse and the Instituto Cervantes have made it into the greatest celebration of Hispanic film in the UK.
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Manchester film reviews
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Reviewed by Ian Betts March 2012
Why do we need foreign language film festivals? Should we even group films by the language they are produced in? There is an argument that movies should be judged on equal terms and not ghettoised by notions of national identity, or ignored because they carry subtitles. |
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Manchester film reviews
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Reviewed by Ian Betts March 2012
Apparently, Woody Harrelson’s father was a contract killer. Convicted for murder in 1973 when Woody was 12, and later given a life sentence for murdering a judge, Charles V Harrelson spent the majority of his son’s life in prison until he died there from a heart attack in 2007. |
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Manchester film reviews
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Reviewed by Anne Ryan March 2012 In these harsh times, it's good to see the National Theatre so popular, with international screenings of audience friendly plays and performances like this, including the likes of Lenny Henry. Following the success of James Cordon in One Man, Two Guvnors, once more we see a comedian and TV star on stage, beamed to a screen at the Cornerhouse. |
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Manchester film reviews
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Reviewed by Anne Ryan February 2012 The fashion for established Hollywood actors to laud the films of the 1970s and lament the fact that adult films are no longer made continues with The Woman in the Fifth. While Ethan Hawke may not have the stature of Clooney or Pitt he too has spoken of this film harking back to a golden age. This is a self-consciously European film showing the terrible things that can happen to the innocent American abroad. |
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