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Manchester reviewed
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Manchester theatre reviews

Thrasher by Conor McKee

Thrasher by Conor McKee

Performed at Royal Exchange Studio, directed by Wyllie Longmore

Reviewed by Emma Short October 2011

 

Conor McKee's latest production Thrasher is a potent mix of the failings and warmth of people which explores themes of faith, identity, values and responsibility. Amid the chaos that emerges through the play it knits together a rich fast paced story that both warms and disgusts. Sprinkled throughout with dark humour it captivates and entertains, taking one on a journey both familiar and uncertain.

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Manchester lifestyle reviews

Life in the UK at Castlefield Gallery

Life in the UK / Balance of Probabilities

by Didem Ozbek and Osman Bozkurt of PiST, at Castlefield Gallery

Reviewed by Sara Porter and Emma Short October 2011

 

Sara Porter's view...

On first approaching the Castlefield Gallery for the press preview of Life in the UK/ Balance of Probabilities the first thing that struck me was how I hadn’t noticed in my previous visit the blinds in the windows of the gallery, but then it was an atypically sunny day and in a more usually overcast Manchester, they probably hadn’t been needed them last time I was there. As I got closer I realised that this was in fact the first part of Ozbek and Bozkurt’s multi-media exhibition.

 

Life in the UK/ Balance of Probabilities is a debut UK commission of the two Istanbul based artists exhibited at Castlefield Gallery as part of Asia Triennial Manchester 2011. The work is based upon experiences of visa applications and for this purpose the gallery has been converted into a replication of a temporary VISA application centre.

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Manchester film reviews

Badlands

Badlands at Cornerhouse

Reviewed by Anne Ryan October 2011

 
Terence Malik's 1973 debut film Badlands is being shown in a new print at the Cornerhouse. It may be almost 40 years' old, but its use of iconic movie imagery taps into our shared Hollywood consciousness and introduces many of Malik's characteristic themes.

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Manchester lifestyle reviews

Democratic Promenade at the Bluecoat

Democratic Promenade

at the Bluecoat, Liverpool until 27 November 2011

Reviewed by Denis Joe October 2011

 

Someone in Liverpool’s art sector must be working their way through a list of nouns or adjectives and is ticking them off one by one; counting down to Year Zero. This year the word is ‘Radical’ and as part of Liverpool City Of Radicals 2011, the Bluecoat’s artistic director, Bryan Biggs, has overseen this exhibition which looks at how the artists engage with the radical, through their work. The exhibit draws on works from the 20th century onwards.

 

Admittedly the celebration of Liverpool radicals takes place a century on from three events that happened in the city: the first post-impressionist exhibition of British artists took place at the Bluecoat; the famous Liver building, a radical architectural development, was completed and Liverpool became paralysed by a transport strike, which some say was near to revolution. The work of David Jacques’s work features prominently. His Serif types (2011), that can also be seen as a sort of Sopas de letras, dominates the publicity.

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Manchester music reviews

Ian McCulloch

Echo and The Bunnymen at Liverpool Philharmonic

Reviewed by Jane Turner October 2011

Stop the Press: McCulloch the messiah incites mutiny!

 

Last night I witnessed a reluctant rebellion in the aisles of the Liverpool Philharmonic! The messiah McCulloch with tongue in cheek, rebelliously called on his followers to “fill that aisle” after an earlier comment that he had “never seen so many obedient people sitting down instead of standing up”. As the messiah spoke of “so many regulations that it is now impossible to make a Lancashire sausage” his followers were roused from their seats and took to dancing in the aisles with gusto – an activity not seen around here for years. Hundreds of happy people ignored the anxious gesticulating of the “chuckle brothers” as McCulloch had cheekily nicknamed the “bouncers”, and the people were at last back in their rightful place, on the land that was rightfully theirs and dancing in the aisles instead of wiggling politely from in or behind their seats. In an appeal to the “chuckle brothers” McCulloch declared “these are our people, they’re not doing anything wrong” and with that the party really got started; Echo and The Bunnymen were back in town!

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