Next Salon Discussion

First Tuesday current affairs discussion - Tuesday 6 February 7:00pm start

Tuesday 6th March: First Tuesday Current Affairs discussion

We'll discuss a couple of topical issues in the news

The Salon Recommends

Banner
Banner
Banner
Banner
Banner
Banner
Banner

Donate via PayPal

Donations to development costs of website very gratefully received

Login Form



Manchester reviewed
PDF Print E-mail
Manchester music reviews

Barb Jungr, something special

Barb Jungr

Rodewald Suite, Liverpool Philharmonic Hall

Reviewed by Denis Joe November 2012


Once in a while you go to a gig and you realise that it is something special. There are few singers who can match Barb Jungr, and even fewer who can take a song and reinterpret it as well as making it their own.

 

It takes a love of the material and an intimate appreciation of a song to give it a new lease of life and one thing you are made aware of is that Barb Jungr does really love the songs that she sings. These songs are not primarily ‘crowd pleasers’; you’ll not find any of the dull diva songs (‘I am Your Lady’ or that awful song from ‘Titanic’) on Barb Jungr’s set list or her albums.

Read more...
 
PDF Print E-mail
Manchester music reviews

A feast for the senses

A Feast for the Senses by Richard Whalley

Reviewed by Denis Joe November 2012


I discovered the music of Richard Whalley having attended a concert in Liverpool given by Ensemble 10/10 last year. On the programme was a piece, specially commissioned by Ensemble 10/10, A Very Serious Game, which is the first composition on this albums, is based around three lithographs by the Dutch Artist M.C. Escher: The House of Stairs, Three Worlds and Metamorphosis.

 

The piano opens the first movement with a feeling of walking that tries to maintain an order as the woodwind instruments threaten to undermine the pace. Yet House of Stairs section grabs the listener from the outset and repeated listening only reinforces  the order as each instrument battles for dominance with its own melody. To that extent the piece reminds me of Elliot Carter’s work, particularly the Cello Sonata. And like the approach of Carter, Whalley keeps a tight rein on the music.

Read more...
 
PDF Print E-mail
Manchester music reviews

Così fan tutte - Welsh National Opera

Così fan tutte by Welsh National Opera

Reviewed by Denis Joe November 2012


Conductor: Mark Wigglesworth
Director: Benjamin Davis
Designer: Max Jones

 

Over the years I have seen around five different productions of Così fan tutte, and however beautiful the music, I always come away feeling unsettled by what is a morally repugnant libretto; and perhaps the fact that the music is so wonderful seems to make the experience all the more distasteful.

Read more...
 
PDF Print E-mail
Manchester music reviews

Christine Tobin: Sailing to Byzantium

Sailing to Byzantium at the RNCM

A collection of 12 poems by W B Yeats, set to music by Christine Tobin for the Manchester Literature Festival

Reviewed by Helen Nugent October 2012


If you ascribe to the view that song lyrics are essentially lines of poetry, it should come as no surprise that someone has set the works of one of Ireland’s most respected poets to music.

 

A lesser artist might have baulked at the prospect of scoring the literary canon of W B Yeats but, judging by yesterday’s performance at the Royal Northern College of Music, Christine Tobin relished the opportunity. Part of the hugely diverse Manchester Literature Festival, Tobin tackled one of poetry’s modern greats and, for the most part, succeeded in capturing Yeats’ passion and intensity.

Read more...
 
PDF Print E-mail
Manchester music reviews

Welsh National Opera - Jephtha

Jephtha by Welsh National Opera

Reviewed by Denis Joe October 2012


Cast includes
Jephtha: Robert Murray
Zebul: Alan Ewing
Storge: Diana Montague
Iphis: Fflur Wyn
Hamor: Robin Blaze (ex 7 Nov); Andrew Radley (7 Nov)
Angel: Claire Ormshaw

Katie Mitchell’s operatic staging (this Revival Director: Robin Tebbutt) of Jephtha was first produced in 2003, was first revived in 2006 and WNO have thankfully felt it worthy of restaging.

Read more...
 
PDF Print E-mail
Manchester music reviews

Cry Baby at Helium Records

Cry Baby - EP & Album

Reviewed by Yvonne Cawley September 2012

 

I’m not quite sure what is going on at the moment, but there seems to be a definite 60s revival in the air. Now maybe I am a little bit more sensitive to this having, just hosted a 60s themed Murder Mystery Party (which was well ‘groovy’ by the way) with the fantastic music of the time helping to set the mood. What with the current Sainsbury’s advert with the ‘Hey, Hey, we’re the Monkees’ track and, on my recent trip to Primark, being hit with the abundance of black and white mod style clothing plus lots of psychedelic prints and short pink and blue bobbed wigs, I wondered if I was perhaps missing something.

Read more...
 
PDF Print E-mail
Manchester music reviews

Red BaraatRed Baraat at The Bridgewater Hall

Reviewed by Emma Short September 2012

 

The Bridgewater Hall played host to Sunny Jain and his 8 piece Brooklyn based collective Red Baraat on their debut UK tour as part of the London 2012 Festival. Supported by the Asian Arts Agency whose vision is to mainstream high quality Asian arts in the UK increasing cultural diversity in the creative industries, they hit the hall with force. A veritable explosion of the North Indian Bhangra rhythm, funk, salsa, go-go hip hop style syncopation and audience call and response, within a strong grounding of jazz, brought their fusion flavour alive to the eagerly awaiting audience.

Read more...
 
PDF Print E-mail
Manchester music reviews

Linda Chatterton

Concert: Linda Chatterton and Matt McCright

at the International Anthony Burgess Foundation

Reviewed by Denis Joe August 2012

 

The prospect of two musicians of the calibre of Chatterton (Flute) and McCright (Piano) presenting a programme of rarely heard pieces, as well as a world premiere of a work by Ailís Ní Ríain, would excite any music lover.

 

Linda Chatterton has been awarded prizes and grants from such institutions as The McKnight Artist Fellowship, The Jerome Foundation and The American Composers Forum. She has performed with the Minnesota Orchestra and is a member of the contemporary music group, Ensemble 61. Five of her recordings are available on CD; the latest, the critically acclaimed Diverse Voices – American Music for Flute, includes the first recording of Edie Hill’s This Floating World.

Read more...
 
PDF Print E-mail
Manchester music reviews

Manchester Jazz Festival Radio

Manchester Jazz Festival 2012

Some reflections by Charlotte Starkey July 2012

 

After silence, that which comes nearest to expressing the inexpressible, is music.” (Aldous Huxley, Music at Night and Other Essays, 1931)

If you find a note tonight that sounds good, play the same damn note every night.” (Count Basie - recalled by Harry ‘Sweets’ Edison, trumpeter in Count Basie’s Orchestra)

 

In a key policy for urban renewal UNESCO defined a vision for humanising the city at the turn of the millennium, placing the individual at the centre of public policy and realising opportunities for cooperative action in the urban space (Brigitte Colin, Unesco’s Vision for Humanising the City – 14th June 1996). Whilst she was a specialist in Unesco’s involvement in the Arabian region, the vocabulary occurs frequently in discussions of urban regeneration globally: ‘inclusiveness’, cosmopolitanism, cultural access, the significance of the ‘informal spaces’ within the city environment – those spaces, events and situations where the initiatives arise from individual and group aspirations, rather than through recognised official and semi-official regulated social, political, educational and/or cultural formal arrangements.

Read more...
 
PDF Print E-mail
Manchester music reviews

Manchester Jazz Festival Radio

Manchester Jazz Festival: Preview 2012

in Manchester from 13th July to 21st July

by Charlotte Starkey July 2012

 

In just a few days’ time the 17th Manchester Jazz Festival opens. Each summer for the past sixteen years Manchester city centre, at different venues, has come alive to the sounds of the saxophone, clarinet, guitar, keyboard, percussion and vocals – all the voices of jazz. Like the water that endlessly bubbles from the Jubilee fountain in Albert Square (marking Queen Victoria’s sixty years), drawn from the ever–flowing streams that feed the great lakes and reservoirs of Cumbria, the rhythms of jazz pulse, whine, fill the air with waves of sound around Albert Square, St Anne’s, the musical venues of concert halls and bars.

 

You can get married in the Town Hall, step outside and forget the expensive hotel you booked, buy your drinks and food from the numerous stalls and enter into the groove; there’s your reception laid on, inside and outside the big Festival Pavilion, shared by every passer-by drawn in, en route from the office, the shop, the train station, just like the wedding-guests of Coleridge’s Ancient Mariner, captivated by some haunting lonely horn.

Read more...
 
<< Start < Prev 1 2 3 4 5 6 7 8 Next > End >>

Page 4 of 8
Join the Salon Email List
Youtube Video of discussion on Energy
RSS Feed for discussions
Manchester Salon Facebook Group
Manchester Salon Facebook Page
Manchester Salon on Twitter