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Manchester reviewed
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Manchester music reviews

Fusion

Fusion Wind Quintet, Lunchtime Concert

Reviewed by Denis Joe April 2011

at Liverpool Philharmonic Hall

Fusion was formed by members of the Royal Liverpool Philharmonic Orchestra in the spring of 2002 for a series of quintet and trio concerts in Liverpool, Preston, Derby and Caldy. Since then it has performed regularly at Philharmonic Hall in Liverpool to great acclaim: "They demonstrated a beautifully rounded, sophisticated sound" Glyn Môn Hughes, Liverpool Daily Post. They also perform regularly at venues throughout the North West and, as well as giving concerts, are very committed to education work. The name Fusion signifies the coming together and blending of the very diverse sounds of the wind section of the orchestra.

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Manchester music reviews

Royal Liverpool Philharmonic Orchestra

Royal Liverpool Philharmonic Orchestra

by Denis Joe April 2011


One of the great things about living in the North West of the Britain is the proximity of two of the finest musical organisations in the country. For a long time it was thought that Manchester’s Hallé was the oldest orchestra in Britain, but that honour belongs to the Royal Liverpool Philharmonic.

 

In 1853, the Philharmonic orchestra was formed for "the pleasure of the moneyed merchant class“ of Liverpool, subsequently attracting some of the greatest artists the musical world has had to offer. Guest conductors have included Wilhelm Furtwängler, Pierre Monteux, George Szell, Serge Koussevitzky, and Bruno Walter, the two latter being the greatest champions of contemporary music, including the likes of Prokofiev, Stravinsky, Alban Berg and Schönberg. Guest instrumentalists included Pablo Casals and a young Yehudi Menuhin. Guest singers included Nellie melba, Clara Butt and John McCormick.

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Manchester music reviews

Public performance of Wesendonck Lieder

Wagner's Wesendonck Lieder

Jacqueline Waldock (Mezzo Soprano), Robert Woods (Piano)

reviewed by Denis Joe April 2011

at School of Music, University of Liverpool

I have to say, that I was very surprised to see the Wesendonck Lieder on the Liverpool School of Music programme. Wagner is not the composer that those early into their singing careers should even be thinking about.

 

There are a handful of composers whose songs and operas require of the singers that they have to have been around the block a few times. Richard Strauss and Mahler spring to mind, but Wagner is perhaps the most demanding.

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Manchester music reviews

Elfair Dyer

Lunchtime recitals: The Capstone Theatre, Liverpool

Reviewed by Denis Joe March 2011

One of the best things about lunchtime recitals is that you get to hear pieces that are new to you, and this recital at The Capstone Theatre did just that. Whilst the music of Fantasie and Etude No.2 is familiar, performed on the harp they take on a new life.

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Manchester music reviews

James Greer - Tenor

School of Music recitals, University of Liverpool

Reviewed by Denis Joe March 2011

James Greer (tenor)
Ronald Woodley (piano)

Henri Duparc Trois Mélodies
Francis Poulenc Tel Jour, telle nuit: neuf melodies sur des poems de Paul Eluard
Henri Duparc Trois Mélodies


There was something ingenious about the programming of this concert - 2nd March. Sandwiching Poulenc between the dark art songs of Duparc worked very well. Duparc composed little and published less. Writing around the time of the Franco-Prussian wars, his Mélodies  found little favour with the public, who did not appreciate the ‘Wagner influences’ of his work. His 17 art songs have a more sombre depth to them than those of most French composers; at times sounding more like lieder.

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