Manchester Salon

'Mancunian Meander' poetry collection by Mike Garry

Reviewed by Simon Belt June 2010

I first became aware of Mike Garry and his poetry when PR agent Alison Bell emailed me some promotional flyers including one for the launch of Mike's third book 'God is a Manc'. As I was born and bred in Yorkshire, God's own country, and moved to Manchester on a civilising mission when I turned twenty, and having lived and worked in and around Manchester most of my adult life, I was intrigued to find out more (truthfully, I was smitten with a couple of rebellious Manchester ladies at the time and thought if they were what Manchester offered, I wanted more!).

So, I was definitely going to go to the launch of Mike's new book and in preparation I did a little research on him, online of course - but then I was holidaying in Menorca. Between Mike and his PR agent, and whoever else, it was certainly easy to find out about him - he's all over the show on the internet, and seems to have been involved in a variety of poetry writing and citing in libraries, schools, prisons, street performances, and festivals. I had to get hold of his written work to see what was causing such an impact, which leads me onto this review.

'The girl who kicked the hornets’ nest' from the Millennium Trilogy by Stieg Larsson

Reviewed by Angelica Michelis May 2010

The final part of Larsson’s Millennium Trilogy starts exactly where the second volume has finished: Lisbeth Salander, the plucky and unusual heroine fights for her life after having been attacked by her father and mentally disturbed brother. Lisbeth, in contrast to the previous two books where she was always on the move and rarely remained at one place, is more or less stationary for the most part of this text. Lying critically injured in a hospital bed only a short distance apart from her father, Lisbeth (and with her the reader whose position, morally and politically, is right by her side) cannot relax knowing that her father’s determination to kill her will not subside as long as he lives, since too much is at risk. And since his destiny is deeply and inextricably intertwined with the conservative, reactionary and patriarchal forces in Swedish society, her fight for physical survival is also one of moral and social rehabilitation.

'The girl who played with fire' from the Millennium Trilogy by Stieg Larsson

Reviewed by Dave Bowden May 2010

Second parts of trilogies are notoriously hard work: by definition they are to some extent shorn of the structural unity offered by a clear beginning and an end. In a trilogy you are never more aware of the etymology of the term ‘plot’, which despite its exciting connotations of coups and insurrections, actually derives from cartography. Of course, an adventurer or explorer may observe that the most exciting journeys are those which have no direct course: but they’ll normally tell you that from the comfort of dry land. The success of a middle work lies in its unresolved uncertainty: C.P. Cavafy may urge travellers in ‘Ithaca’ to ‘pray that the road is long/full of adventure, full of knowledge’, but he wouldn’t be advising that if Odysseus had been swallowed by the Cyclops before he made it home.

'The girl with the dragon tattoo' from the Millennium Trilogy by Stieg Larsson

Reviewed by Stephen Bowler February 2010

Stieg Larsson’s The girl with the dragon tattoo is a popular book. The publishers say they’ve sold 2.7 million copies in Sweden and over 12 million of the Millennium trilogy (of which this is the first) worldwide. They’re shifting plenty here too: they must be as it only cost me £3.49, including postage. Clearly it’s being read by a lot of people, but why might this be?

Well, for a start, it’s a real page-turner; full of intrigue and action. The hero – Mikael Blomkvist – is a hip and clever journalist with a side-kick – she with the tattoo – even more Zen than he. Together they are sexy Swedish sleuths, dishing the dirt on the nastiest of ne’er do well’s, laying low the corporate fat-cats.