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Manchester book reviews
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How to Direct a Play: a Masterclass in Comedy, Tragedy, Farce, Shakespeare, New Plays, Opera, Musicalsby Braham Murray. Oberon Books, London, 2011 A new book by Braham Murray, the fruits of his many years as a successful theatre director not least at The Royal Exchange in Manchester, is relevant to the interests of a number of groups: student dramatists, aspiring directors, designers, stage managers, in fact anyone directly involved in theatre; teachers of drama as a performance subject, teachers and lecturers and students of plays as texts both in school and university; and, most importantly, anyone who loves theatre and who loves reading a well-written narrative. It is witty, anecdotal, informed, informative, intimate and frank. This is the work of a professional expert and Braham Murray’s account of ways to approach Shakespeare as a director (followed by a discussion of producing and directing Greek drama) is one of the best practical discussions of how to approach a Shakespeare play both as text and performance that one could find today. The book is not a bible in how to direct a play; it is one man’s account of what has, and has not, worked for him – a passionate, dedicated, lived and lively statement of what can happen when theatre is performing powerfully; and Murray believes deeply in the importance of theatre for the world beyond the stage. |
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Manchester book reviews
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by David Lewin (Cambridge Scholars Publishing, 2011) ‘What matters is what works’ Tony Blair. Blair’s aphorism was meant to justify such departures from socialist doctrine as the Private Finance Initiative and, perhaps, taking money from the likes of Bernie Ecclestone. What it also does is encapsulate a mode of thinking about and experiencing the world which David Lewin describes in his thought-provoking book as ‘technological nihilism’, an orientation based upon a ‘false anthropology which arises out of the failure to see things primarily as given.’ In other words, Lewin’s concern is with the implications of living in a culture which dwells entirely in the kingdom of means and has lost sight of the kingdom of ends. |
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Manchester book reviews
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On Tolerance: A Defence of Moral Independence Continuum Publishing Corporation (ISBN-10: 1441120106)Reviewed by Denis Joe August 2011 Eamonn was not the most enlightened person I ever knew. He was the epitome of today’s liberal caricatured working class white male. He was sexist, avowedly racist, hated ‘queers’ with a passion, and was the machine setter on the drills section, at Automotive Products, where I worked back in the late seventies. He was extremely witty and very intelligent and was quite a reserved man until he had a few pints down him. Then you found yourself in the presence of someone who was not entirely comfortable with the world he lived in. I left AP in 1980 but I met up with Eamonn in 1987. It was a time when one of the biggest news stories concerned a group of men from Manchester, who were charged with assault, occasioning actual bodily harm, for their long held practice of sadomasochism, which was entirely consensual. They had videoed some of their sessions for distribution amongst themselves. |
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Manchester book reviews
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Yasmin's view of the novel: Melvin Burgess has been writing child fiction books for just over twenty years and continues to amaze his audience with the work he publishes. From writing his first book ‘The Cry of the Wolf’ in 1990 to preparing for the release of his new book ‘Kill All Enemies’, it is obvious that Melvin has a real passion for writing about very realistic things that are closer to home than you may think.
For someone who has never had more problems than just a little row between siblings at home, it is hard to imagine what having parents with drinking problems or an abusive step-dad is like, but for many teenagers it's just normal life. |
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Manchester book reviews
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Penguin Modern Classics (ISBN-13: 978-0141194318)
Reviewed by Denis Joe June 2011 At once the 'lie' and the 'elite' of crowds; Who pass like water filter'd in a tank, All purged and pious from their native clouds;
(Don Juan By Lord Byron - Canto XIII) This was the first use of the word ‘elite’ in the English language since the mid-15th Century, when it was used to described a Bishop-elect. It was itself a ‘borrowed’ term from the old French eslite (‘selected’ or ‘chosen ones’). Though Byron seems to be indulging in a bit of sarcasm in Don Juan, the term fell into common usage and generally came to describe a group of people who set themselves apart from society through their tastes in the ‘finer things in life’. The term was sometimes used interchangeably with ‘snobs’, but there is a vast difference between the pretentions of snobbery and the rigorous defence of values that was a characteristic of elitism. |
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