|
Manchester theatre reviews
|
A Liverpool Everyman Theatre ProductionAdapted by Howard Brenton,directed by Christopher Morahan and based on the book by Robert TressellThe world premiere of a new stage version of Robert Tressell's autobiographical novel takes place rather fittingly in Liverpool where the author died and is buried. It is essentially an anti-capitalist story on a human scale revolving around the working lives and hardships of a group of painters and decorators working in the fictional town of Mugsborough c1904. Among this group of workers is the character Owen, largely based on Tressell, who has a vision of society that is fair and just and he makes it his mission to enlighten his fellow workers about how socialism could rid them of inequality forever. |
|
Read more...
|
|
|
Manchester theatre reviews
|
By Oscar Wilde Directed by Chris HonerReviewed by Jane Turner 08 June 2010“The Importance of Being Earnest” was the first and is also sadly, the last play to be performed in the basement of Manchester Central Library by The Library Theatre Company. After 58 years in this spectacularly housed library, the theatre is moving. For the next four years while work takes place on a newer and larger venue at the Theatre Royal, the Library Theatre Company will continue to perform at The Lowry Quays Theatre and also put on some exciting site-specific shows in Manchester. A sad but necessary move from what is a beautiful and intimate theatre, in order to increase capacity and improve facilities. |
|
Read more...
|
|
Manchester theatre reviews
|
Major revival of Bernard Shaw classic directed by Greg Hersov, designed by Ashley Martin-Davis, and starring Cush Jumbo, Simon Robson, Ian Bartholomew and Terence Wilton12th May 2010 – 19th June 2010Reviewed by Dave Porter on 18 May and Anne Ryan on 22 May 2010Dave Porter's review is:It takes a lot of chipping away at the crust of Shaw’s play to reveal the original underneath the melodrama that Hollywood has imposed on it, notably in the form of My Fair Lady. Even in Shaw’s own day there were attempts to turn it into a rom-com for the masses. But in this production the Royal Exchange has rediscovered a jewel of English (or should that be Irish?) theatre. Faithful to the text, it is Shaw at his painfully funniest and most philosophically astute, and appeals to the sense we have of reinventing ourselves. |
|
Read more...
|
|
Manchester theatre reviews
|
By David Mamet Directed by Chris HonerSo who, in the end, screwed whom? John Williamson can barely open his mouth to breathe, such is the flow of words from David Fleeshman’s Shelley Levene. But Levene is pathetic, imploring Williamson to feed him the premium leads. Williamson is unmoved; to get the leads, you need to have made the sales. Success breeds success, and success deserves success. (It’s very New Labour: just think of the predication of Olympic training money on past medals, or of the predication of higher education funding on the short-term impact of research already carried out – and if you’ve not been successful… well…) But maybe there’s an agreement to be made, a deal to be cut. Maybe. |
|
Read more...
|
|
Manchester theatre reviews
|
WORLD PREMIERE of stage adaptation and direction by Matthew Dunster Designed by Paul WillsReviewed by Simon Belt on 01 Mar 2010The Royal Exchange Theatre in Manchester launched their new season of 2010 with '1984' - a dramatic but disturbing adaptation of George Orwell's cherished novel of totalitarian state control of thought and behaviour. |
|
Read more...
|
|
|
|
|
<< Start < Prev 1 2 Next > End >>
|
|
Page 1 of 2 |