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Manchester film reviews

Salt with Angelina Jolie

Salt and Salander - Heroines on film

reviewed by Anne Ryan in August 2010


In the last week film-goers in Manchester have had the opportunity to see two contrasting views of heroic female protagonists on the screen.


The eponymous Salt – as played by Angelina Jolie and the return of Stieg Larsson's damaged computer geek – Lizbeth Salander in 'The Girl Who Played With Fire' – the second part of his best-selling trilogy.


Fans of the Swedish productions may view the forthcoming Hollywood adaptation with apprehension and gain some lessons from 'Salt'. Originally written for Tom Cruise – the inhumanly beautiful Jolie is a new super-heroine. If watching 'Superman' we believed a man could fly – 'Salt 'will convince us that a woman can out-run police chases, jump from the tops of trucks hurtling down the freeway and finally, indeed, fly from a helicopter. And all this while continually looking more desirable than any human being should.


By contrast Noomi Rapace often resembles a battered, homicidal child. The cast of 'the Girl . . .' look like real people – Lizbeth's love interest has a discernible tummy and our heroine does not shave her armpits (and unlike in the original novel, she does not use her new-found wealth to buy new breasts!). But she too verges on the superhuman – undergoing physical abuse, but fighting back with courage and her computing skills.


Both films involve the tail-end of the Cold War but Salander operates in a recognisable world – all too recognisable if one believes Christopher Hitchens, whose sources argue that Larsson was writing lightly disguised reality and recent revelations of the dark side of the Swedish dream, htttp:// Salt acts in a cartoon existence where she can overcome any odds – including effectively disguising herself as a man, using the plastic face pieces familiar from Mission Impossible.


I left Salt feeling that I could drop-kick any Russian spy – I left Salander's story recognising that the world is a corrupt place and we must hope for the goodness of ordinary courageous mortals.

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